Found 47 collections related to Dance -- Study and teaching

Alexis Kosloff (circa 1888-1983) was a dancer, instructor, writer, and choreographer. The Alexis Kosloff papers (1905-1951) hold sheet music, photographs, programs, publications, promotional materials, writings, clippings, and correspondence documenting Kosloff’s teaching career. less

Matti Haim (d. 1967) was a Jewish dancer, teacher, and choreographer. The collection dates from 1949 to 1963 and holds essays, book outlines, and manuscript drafts for two of her choreographic compositions, On Chinese Soil, and The Fifth Dimensional Cycle. less

Elizabeth Polk (1902-2001) was an Austrian-American dancer and dance teacher who is considered one of the pioneers of dance therapy. She was particularly renowned for her work with mentally, physically, and behaviorally disabled children. The collection documents the overall evolution of Polk's career from the 1940s (and possibly earlier) to the 1990s, highlighting her work in the fields of dance, dance therapy, and dance education. less

Katy Page Matheson (1948-2005) was an American editor, writer, performer, teacher, and dance historian. The Katy Matheson papers (1960-2003) reflect Matheson's professional work, as well as her graduate work in dance history. To a limited extent, her own career in dance is documented. less

The New Dance Group (NDG), founded in 1932, provided classes, scholarships, studio rentals, public performances, and support of new choreographic work to the New York City dance community. The Hadassah collection of New Dance Group Studio, Inc. records (1944-1977), assembled and annotated by longtime board and faculty member Hadassah, documents the activities and functions of the Board of Directors and Executive Committee following NDG's nonprofit incorporation in 1944. A selection of personal correspondence regarding Hadassah's dance career and outside affiliations is interspersed throughout. less

The New York School of Ballet (incorporated name: American Dance Foundation) and its touring troupe U.S. Terpsichore were founded by married dancers and teachers Richard S. Thomas and Barbara Fallis. The New York School of Ballet/U.S. Terpsichore records (1975-1985) document the various activities and operations of the two organizations. The collection holds correspondence, contracts, legal agreements, financial invoices and receipts, pay stubs, class schedules, press releases, venue reports, ticket order forms, programs, posters, and press clippings. less

Walter Nicks (1924-2007) was an American dancer, choreographer, and educator. The Walter Nicks papers date from 1899 to 2004 and document Walter Nicks' career as a choreographer, educator, and director of the Walter Nicks Dance Theatre Workshop. The collection holds professional files, photographs, slides, programs, articles, and posters. less

Louis Horst was a composer, teacher, and writer who was music director for both the Denishawn and Martha Graham companies. Horst's collection holds photographs of him, as well as the dancers, dance performances, and dance companies with whom he was affiliated. less

Michael Maule was a ballet dancer, teacher, and principal dancer with the American Ballet Theatre, Cuban National Ballet, New York City Ballet, and the London Festival Ballet. His collection, which dates from the 1930s to the 1960s, holds photographs depicting his dance training as a youth in South Africa, and professional dance career in the United States, Cuba, and Europe. less

The New School ChoreoConcerts were dance presentations designed to offer audiences a cross-section of modern dance approaches and styles. The New School ChoreoConcerts records hold flyers, programs, correspondence, and clippings documenting the events presentation in various venues. less

Felix Fibich (1917-2014) was a Polish-American classical and modern dancer, choreographer, actor, and instructor best known for his expertise in Jewish traditional dances. Fibich often danced with his wife Judith Berg Fibich (1912-1992), who performed under her maiden name, Judith Berg. The collection documents the dance careers of Fibich and Berg, and Fibich's additional work as an actor and instructor. less

The New York Enthusiasts was an adult continuing education group led by Hans Hacker. The New York Enthusiasts dance files contain Hacker’s correspondence with various dance groups, schools, and presenters arranging for performance tickets, backstage tours and class visits, and advertisement in the group’s magazine ZIG ZAG. less

Rosamond Pierce was a dancer and dance teacher working in Massachusetts in the 1930s. The Rosamond Pierce papers (1927-1943) hold choreographic notes, class notes, technique files, scores, and programs documenting Pierce's career as a teacher, performer, and student. less

Helen Priest Rogers was an authority on dance notation, a co-founder of the Dance Notation Bureau and a pioneer in the use of film to preserve choreography. The Helen Priest Rogers dance files consist of photographs; correspondence; and programs about dancers, dance companies, and preservation research less

Irene Dowd (1946-) is a kinesthetic anatomist, educator, author, and dance choreographer. The Irene Dowd papers, dated 1972 to 2015, emphasize her teaching career with course materials and notes. The papers also include writings for various academic activities, and audio and video recordings of dances and classes. less

Marian Horosko was a dance historian and author. The Marian Horosko writings and research files hold correspondence, research notes, drafts, and photographs used to write her articles Alicia Alonso: The Flower of Cuba (1970) and Teachers in the Russian Tradition (1979). less

Suki Schorer is a ballet dancer, teacher, writer, and producer. The Suki Schorer Balanchine Essays materials contain scripts and shooting schedules used when making the educational videos, which detailed Balanchine's approach to classical technique. less

The Clark Center for the Performing Arts was an arts organization founded in 1959 under the guidance and ethos of dancer and choreographer Alvin Ailey. This collection documents the Center's programming from 1972 until 1980, under the direction of Louise Roberts. less

Barbara Arnest (1923-2017) was a writer and the editor of The Colorado College Magazine, the college's alumni magazine. Arnest, a long time Colorado Springs resident, worked on an unfinished biography of modern dance pioneer Hanya Holm, who taught at the Colorado College Summer Dance Festival for over forty years. The Barbara Arnest collection of Hanya Holm material dates from 1965 to 1986 and is primarily comprised of Arnest's notes (some of which she took while observing Holm's classes), interview recordings and transcripts, bibliographic research, and a few incomplete drafts. Approximately a dozen programs for Colorado College dance performances and the Colorado Opera Festival are present. The class notes and sound recordings document the content of Holm's classes and her style of teaching. A detailed listing of items is available as an additional resource. less

Grace Cornell and Kurt Graff were a professional dance duo based in Chicago, Illinois, who founded the Little Concert House, Graff Ballet, and Meadow Hearth Theatre Art Center. Their papers date from the 1910s to 1992 and chronicle the Graffs' professional careers. less

Robert Kovich was a dancer and choreographer, originally with the Merce Cunningham Dance Company. In the 1980s, Kovich performed, choreographed, and taught dance, mainly in New York and France. The collection includes choreography notes, scripts, correspondence, some photographs and teaching material. less

Selma Jeanne Cohen (1920-2005) was a pioneering dance historian, writer and educator who helped revolutionize the field of dance research and history. The Selma Jeanne Cohen papers document the intellectual and professional career of this leading dance historian. less

Shirlee Dodge (1916-2008) was a dancer, choreographer, and instructor who earned degrees in performance and instruction from the Mary Wigman School in Dresden, Germany in 1939. Mary Wigman (1886-1973) was a pioneer dancer, choreographer, and instructor in expressionist dance, often cited as a founder of modern dance in Europe. This collection documents Dodge's relationship with her former instructor, Mary Wigman, and contains materials collected to illustrate Wigman's dance and teaching career, including brochures, conference materials, correspondence, photographs, press clippings, programs, scrapbooks, printed materials, and miscellaneous materials in German. less